Ranveer Singh’s Dhurandhar and Christmas Karma in the news

Ranveer Singh’s Dhurandhar and the rise of 2025 theatrical confidence

PVR INOX continues to spotlight major releases, and recent comments from Nayana Bijli shed light on how titles like Dhurandhar and Christmas Karma are shaping audience expectations. In a recent feature, Bijli described Ranveer Singh’s upcoming Dhurandhar as an ideal theatrical experience. She noted that the year’s diverse performance trends — whether Saiyaara, Mahavatar Narsimha, or Laalo — show that a wide range of films can connect with viewers.

Her remarks reflect a broader pattern across the exhibition sector: 2025 is proving unpredictable but full of opportunity. A film anchored by a major star like Singh naturally draws attention, yet Bijli’s emphasis remains on the collective momentum of varied genres finding their place on the big screen.

Holiday attention turns to Christmas Karma

The season also brings renewed focus to Christmas Karma, directed by Gurinder Chadha. PVR INOX is hosting a premiere event featuring Karan Johar in conversation with Chadha, with Amruta Fadnavis joining as chief guest. According to Bijli, the film aims to offer a family-friendly story meant to resonate with audiences across regions.

The collaboration between Johar and Chadha for the premiere discussion signals a spotlight on the film’s creative foundation. Chadha, in a separate interview, described reimagining a seasonal story through a musical lens. While the director did not reveal granular plot details, she emphasized exploring the narrative with a refreshed artistic approach suited to contemporary viewers.

Fast facts:

• Nayana Bijli considers Dhurandhar a strong big-screen title.
• 2025 releases cited by Bijli include Saiyaara, Mahavatar Narsimha, and Laalo.
• Karan Johar will host a discussion with Gurinder Chadha at the Christmas Karma premiere event.
• Amruta Fadnavis is set to appear as chief guest at the premiere.
• Chadha has described Christmas Karma as a musical reimagining of a seasonal classic.

As both films generate conversation, they bring distinct flavors to the current release calendar. Dhurandhar enters as a star-driven theatrical attraction, while Christmas Karma positions itself as a holiday-oriented family feature shaped by Chadha’s signature style.

For exhibitors, these titles arrive at a time when audience habits continue to shift, yet enthusiasm for varied theatrical experiences remains evident. Bijli’s remarks and Chadha’s creative insights together outline a landscape that welcomes both large-scale performers and festive storytelling.